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Isern
Jordi
Isern lives and works in a small village of the Empordà, far from
the bustle of everyday life, where he has developed this series of psychological
portraits of faces or torsos marked with poetic and unsettling scars,
palimpsests and pentimentos that define his exceptional draughtfmanship
and underscore the fragility of the human body. With
a string of respectable exhibitions in both galleries and public institutions,
these past years have borne fruit. The successes he has harvested have
allowed him to move with his family to the Ampurdán and dedicate
himself entirely and full-time to his painting. A qualitative sea-change
that has left its mark on his work, resulting in the fundamental development
that has enabled him to embrace poetry in a synthesis of symmetry.
Poetry has for years been a clear source of inspiration for Jordi Isern.
For a long time his works have concealed references to poems, his own
as much as Fuensanta’s, his wife’s, or that of other authors.
But perhaps the poet who comes closest to the sensitivity of the artist
is José Corredor-Matheos, with whom he has long maintained a warm
friendship. The link between painting and poetry materialises in his current
work, titled QUO, developed as a visual reply to the poetry of
Corredor-Matheos. Painted on the unforgiving surface of steel, Isern ennobles,
with a masterful sense for drawing and a diaphanous use of light, the
poetics of the body.
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